|
Bush Foundation
Artist Fellows Program 2001
Music Composition due November 3, 2000
What I find
most interesting in re-visiting this are:
1. How grown
up my children are now
2. How I accomplished
everything I set out to do after writing this grant, (since I did
not receive money to do it).
I learned much from the writing of it.
All answers
from the Application must fit into a specific space.
Page One
Application
Summary (name, address etc.)
Page Two
Please list
the relevant accomplishments by type (e.g., commissions, education,
performances, etc.) and in chronological order, beginning with your
most recent.
List of Accomplishments
Music Releases
11/2000 Video
of Original Yule Show released on VHS and on the Web
10/2000 Inclusion
on MCR Compilation vol.2
12/1999 CD and
Songbook: A Yuletide Celebration. Original music to honor the Winter
Solstice. Sold on-line, in local stores and at gigs.
10/1998 CD Faith
in Me sold on-line, in stores and at gigs.
1/1994 Thorn
Live and a variety of demos, soon to be on-line.
1991 and 1992
Rose Absolute and RA: Some Kind of Mecca
2006
complete discography
Performances
- partial listing
Currently creating
and performing in: A Yuletide Celebration 2000 December 22 and 23,
Patrick's Cabaret in Minneapolis. New original script and music
honoring Winter Solstice and our community.
August and October
2000 Minnesota Coalition Records Showcases
11/00, Ralph
Nader Rally including improvisation and spoken word
December 1999
wrote, directed and performed in multi-media performance: A Yuletide
Celebration - Discovering Origins
and Building Traditions.
I've been playing
out in Minneapolis and the surrounding area for over 10 years and
have played in England and Paris, France.
I have sung
in choirs, madrigal groups, as a soloist, and played in orchestras
and bands all my life. I won awards in College, High School and
through 4-H in music and theater.
Internet Activity
www.karitauring.com
launched in December 2000, over 17,000 hits.
MP3.com/artist/karitauring launched in October 1999. Statistics
include # 2 Folk rock song, top 10 in Minnesota, CD's sold globally.
Minnesota-music.com - co-creator and contributing essayist.
Teaching
- partial listing
Fall 2000 Created
and implemented Curriculum for Minneapolis College of Art and Design
in Rhetoric and Persuasion.
Spring 2000
Created and implemented Curriculum for MCAD in Learning and Teaching
Taught private
voice lessons 1997-1999
Workshops on
Dream Work, Writing, and Lakota Medicine Wheel
Mothering
Home birthed
Jack in April 1997 and Oskar
in February 1995
Volunteering in PTO, Community Council and School, constant feng
shui
Education
1996 Master
of Arts in Teaching from U of St. Thomas, St. Paul
1988 BA in Philosophy
and English from St. Thomas
Private voice,
guitar and violin lessons (all my life)
Page 3
Please describe
the main concerns ofyou work. For example, you may discuss your
style, subject matter, working process, or other aspects of your
work.
I will call
myself a Philosophical Entertainer. My concerns are for community
and social issues, Earth-based spirituality, and the process of
heightening human consciousness. My music has been classified as
pop-rock, urban folk, and pagan spiritual. Diligent self-examination
and the continual process of learning and growing give me lyric
content that is at once personal and universal. Like Plato, I believe
that absolutes such as Truth, Justice and Integrity exist and are
able to be remembered by all of us. My Taoist understanding teaches
me that I must explore all aspects of the Universal
yin and
yang, negative and positive. By honestly searching them out in myself
and striving to maintain balance, I can be an example for others
and my words and music can inspire others to maintain the balance
in their lives.
I journal, converse, write essays and poetry, read, and record my
dreams. Lyrics come to me through these means. Tunes come to me
constantly through messing on my guitar or piano. Sometimes they
start with a rhythm when I am walking. Often I create songs of gratitude
while I am doing the mundane tasks of life. I have a constant flow
of creative ideas. Mothering was something I needed to do to help
me decide which of the thousand ideas sparking and flitting through
my head are really important. It takes time to manifest these songs
in the physical world. Time for my own thoughts
that is something
rare and wonderful and it is becoming more available as my children
enter school.
The Yule shows let me focus on one project. It is a show that explores
our pagan origins so my lyric content has a seasonal and mythological
focus. The music is not confined to a particular genre and I have
been able to reach into my past experience with choirs and orchestras,
composing and arranging music for many voices and instrumentation.
I have also been able to work in new areas such as drumming and
chanting with traditional call and response techniques. (Manifest
- HULDRE!)
New ideas for this show continue to well up in me. I began the process
of writing an operatic confrontation between Tiamat and Marduk that
will change the outcome of the original mythology to one where the
respect between mother and son is maintained. I chose opera for
this piece because of the quality of dialectic available in this
style. I would like to write songs for the other seasons as well.
(DONE AND DOING!)
Aside from this, I have written songs about my life as it is now,
mothering and struggling to maintain my relationships with my mate,
myself, my family. I would like to write a full CD of songs that
reflect this and are not part of the seasonal focus. (Sould be done
recording Sept. 2006)
Page 4
Please describe
how you would use a Bush Artist Fellowship. You may describe the
general directions you plan to pursue or specific activities you
intend to undertake. Your comments may be as brief as you like but
please limit them to this page.
The rarest commodity
in my life, something I haven't had in six years
Time. Specifically,
time alone, uninterrupted sleep and dream-time, work on my music
time, being as loud as I like time
This is a description of what a week could be like with a Bush Fellowship:
Sunday I drive to Wisconsin and nest at my Grandmother's Farm now
belonging to my sister. I write, read; walk in the Sugar Maple groves
there
are 160 acres of alone time to be had here! I sleep and dream and
write it out. I wake on Monday morning and there is dew too thick
to walk in. Sometimes I plunk away at the piano, which I have hooked
up to the computer so I can document everything I write. Sometimes
I plug in my fiddle and mess with the foot pedals
eerie. I
record everything and keep meticulous notes here
it was my
Grandmother's way.
Monday night the music tears through quiet sleep compelling me.
I can move on it
I can wake no one but the dead
I am alone!
I write like a mad thing and the connection from my head to the
heavens is clear and uninterrupted by matters of mothering. This
night I work for the cherubim, the old ones and myself, my laptop,
keyboard microphones, pens and feathers paper and bark. All the
implications for the future are present and all the problems of
the past are present because I am in the moment, clear and clean
in the fresh air, carrying on the work of all my relations. And
now, in silence un-interrupted, I clip my nails.
Tuesday is food and beverage day. Creation is hungry work. I am
in the woods, in the barn, in the old broken-down silo
I don't
worry about children following me. Tuesday night I will browse through
the books that have collected in this house since the 1800's. I
will search my Grandmother's old side notes for a lyric. I scribble
and do a painting; I pace and wonder about things
I sleep alone
and get a full night's rest
ah what a joy, but lonesome because
I miss my family.
Wednesday I use my existing web-site as a database to
document my work. I print, fax, save, and back up, down load, up
load, pack and head home. That is a week's work.
Thursday through Sunday I am Mother, lover, gardener, house keeper,
cook, writer, doctor, teacher, other parts of me
once again.
I would use the Bush Fellowship for this, for travel, for computer
upgrades, new gear, and to put together two CD's of newly written
songs. But mostly, the Bush Fellowship could buy me some time. Instead
of spending 28 hours a week temping and teaching, paying bills,
I could be writing, composing and producing music. I could get a
lot done!
2006
complete discography yes, more than
two cds of original work.
Page 5
Additional
information
Other than media
reviews, and response from family, friends and fans, my work has
only been evaluated before based on how much beer it could sell
in a bar or whether a record company could make a buck off of it.
I have never had my work evaluated for compositional merit and lyric
quality alone. This excites me to no end!
So I send you
the songs that mean the most to me as a composer and on a spiritual
level rather than the most polished, produced, or "sellable"
work I have done.
I hope you enjoy
it.
2006
- since then I have had so much professional critique and I do
not support my family on the trickle down affect from the sale of
beer, though most venues appreciate it. Both boys, now 11 and 9,
sleep through the night - so do I. Since my boys are in school I
have the time as stated in my Fellowship Application for Multimedia
Performance Art in 2005, I have the gear I need. All of these things
are clipping right along (as this website attests to!)
Page 6
Work Samples
Track One -
running time 3.33
"Remember Me" Copyright 1991, Kari Tauring/Rose Absolute
This is the first song I recorded describing my path to the Feminine
Divine through the statue of Mary at the church across the street
from my childhood home. It was a risk, at the time, to release it.
Coming out of the "broom closet" so to speak. I re-recorded
it for you.
Track Two -
running time 4.54
"Faith in Me" Copyright 1998
Track Three
- running time 3.21
"Starlight Yule Bright" Copyright 1999, Kari Tauring
A close second for best winter holiday song on MP3.com.
Track Four -
running time 4.50
"Winter's Come" Copyright 1999, Kari Tauring
Written while visiting my grandmother on her farm. Performed at
Yule 1999 with a live band and three dancers representing the three
aspects of the Triple Goddess (Maiden Mother and Crone) Video footage
available upon request (or on the web at karitauring.com)
Track Five -
running time 2.43
"Mother, mate, myself"
(Also known lovingly as The Stressed Out Mom Song)
Written June 2000 - recorded for the purpose of this Fellowship
Application
Page 7
Artist profile
Questions here
pertain to references, education level, income bracket and ethnicity.
The answers are not seen by panelists and so do not influence their
opinion of my work.
2006
- Hmmm...what will I write this time?!
|